Looking back at Revelation and Revolution.
Okay… what to say about Revelation and Revolution? I think my thoughts have been fairly clear throughout: they’re exciting and ambitious, if occasionally somewhat flawed, entries into the Masters of the Universe franchise. Trying to update He-Man for an adult audience is a tough ask: it’s an inherently silly concept, and there’s a danger in making it aimed at adults that you’ll simply take all the fun out of it, or make it actively embarrassing.
Revelation, more than Revolution, fell into this trap: episodes like Land of the Dead felt tedious where they were trying to be scary, and the less said about the Evil-Lyn/Skeletor seduction scene, the better. I still have PTSD from that one. The grand finale, with Evil-Lyn destroying Preternia and messing about with the celestial apex, made absolutely no sense to me, and in trying to raise the stakes to the survival of the entire universe, I found the series became considerably less interesting.
Revolution, on the other hand, really leaned into the sort of thing that I would want from a more adult-oriented version of the franchise: we’ve got action, we’ve got high stakes, we don’t know if all the characters will survive, but it keeps itself grounded without going down the mystical road. With the exception of Teela’s Preternia business – which, to be honest, wasn’t dwelt on too much – the plotline was understandable and pretty relatable: the old “evil uncle tries to dominate the kingdom resulting in a sudden abolition of the monarchy and the instantaneous development of democracy” is a classic fairytale, after all.
Speaking of evil uncles, I’m always ambivalent about this interpretation of Skeletor: frankly, I think he’s better when he’s a demented demonic sorcerer rather than an undesirable member of the royal family. (My lawyers have advised me at this juncture against making jokes about Prince Andrew.) But this series manages to have its cake and eat it: making Skeletor into Keldor, having forgotten his origins thanks to his already-established background with Hordak – who even, with Adora, has previous with brainwashing – is a very clever way to allow him to be both Keldor and the extradimensional demon, or at least believe he is. And if it gives William Shatner the opportunity to pop up to chew the scenery, so much the better.
And there’s a decent link into discussion of the voice acting: Revelation and Revolution gathered an excellent cast (and Alicia Silverstone) to give life to these characters, and there’s little I’d quibble with in this department. Some people had an issue with Buffy being Teela in Revelation, but she didn’t bother me, though I’ll grant that Melissa Benoist probably did a better job when the recasting for Revolution rolled around. The Queen Marlena recast, adding Gates McFadden, was also an excellent move.
With that disjointed little ramble behind us, I’m sure what we’re really all here for is my highlights and lowlights list. As with the CGI series, we’ve got very few episodes to work with, so I’m going to limit myself to a Top 3 and a Bottom 3. Even that’s going to be a challenge, I suspect.
Highlights
This one gets a spot on the list for its excellent action-packed story. It’s great to see such a faithful updating of the 1980s series, and then for the series to suddenly up the stakes in such an unexpected way by offing both He-Man and Skeletor really made me sit up and pay attention. Not without its problems – King Randor acts like a complete tool, for example – but despite them, it’s an almost perfect sequel to Filmation.
Perhaps He-Man and Skeletor’s most epic showdown ever, with the added edge that one of them is now a god and the other is an out-of-control savage. All that action is great, but it’s really the touching reunion with King Randor – in which he shows his heartfelt love for Prince Adam – that makes this a true series highlight.
Possibly this is the recency effect, but I found Even For Kings a genuinely touching outing: the death of King Randor is dealt with extremely sympathetically, and it’s great to see the series think of an another unexpected direction to take the story. In a short five-episode run, it would have been easy to gloss over the emotional stuff, but the writers took the time to deliver a fairly quiet opening episode that shows the depth of the characters’ relationships. Very good.
Lowlights
Mostly fine, but contains the most misjudged scene in the entire franchise. You know which one. It’s lucky the rest of the episode is decent enough, because otherwise this would be the absolute bottom of the heap.
2. Comes With Everything You See Here
The Revelation finale earns its spot simply because it’s too overblown: I lost interest as soon as Evil-Lyn started pointlessly trying to destroy the universe, and I couldn’t give a monkey’s about watching her and Teela flying around shooting energy bolts at each other. This abstract nonsense was the focus over He-Man and Skeletor’s big battle, and I just found it difficult to care.
Land of the Dead was what no other episode of this series was: dull. Yes, okay, the last five minutes were great, but we had to sit through 20 minutes of pointless cod psychology between Teela and Scareglow before we got there. Shooting for ominous and landing squarely on boring, this one was my absolute least favourite of the entire run.
And next?
Well, that’s that: there’s no more Masters of the Universe to review at the moment. There seems to be some jabber about a third run of this Revelation/Revolution business, and allegedly the live-action film is back on track (again), but we can’t expect to see any more content for several years. Of course, I’ll review anything new that comes along, but for now, the last post will be next week, when I do a little overall summary of the whole franchise to date, which will probably be even more of an incoherent ramble than my usual. Bet you can’t wait.